Related Paintings of unknow artist :. | fran lappland | Players | Still life floral, all kinds of reality flowers oil painting 121 | Portrait of Marie Sophie von der Pfalz | The family of the Duke of Penthievre |
Related Artists:
ATTAVANTE DEGLI ATTAVANTI
Italian miniaturist, Florentine school (b. 1452, Castelfiorentino, d. ca. 1525, Firenze)
Joshua Johnson
(c.1763-c.1824) was an American biracial painter from the Baltimore area. Johnson, often viewed as the first person of color to make a living as a painter in the United States, is known for his naïve paintings of prominent Maryland residents. It was not until 1939 that the identity of the painter of elite 19th century Baltimoreans was shed to light by art historian and genealogist J. Hall Pleasants, who believed that thirteen portraits were painted by one Joshua Johnson. Pleasants attempted to put the puzzle of Johnson's life together, however, questions on Johnson's race, life dates and even his last name (Johnson or Johnston) remained. These questions remained up until the mid-1990s, when the Maryland Historical Society released newly found manuscripts regarding Johnson's life
Columbano Bordalo Pinheiro
(Lisbon, 21 November 1857 - Lisbon, 6 November 1929), who is usually referred to as Columbano, was a Portuguese Realist painter. Usually considered the greatest Portuguese painter of the 19th century, he has been compared to the likes of Wilhelm Leibl and Thomas Eakins. Columbano was the son of a mediocre romantic painter, Manuel Maria Bordalo Pinheiro, and the younger brother of the great caricaturist, Rafael Bordalo Pinheiro. He became the leading painter of his generation and the master of realism in Portuguese painting, specializing in portraiture. He was disciple of his father, of the painter Miguel Ângelo Lupi and the sculptor Simões de Almeida. After attempting twice for a bursar to study abroad finally in 1881 the countess of Edla, second wife of D.Fernando would finance his study in France. There he studied the work of French naturalist, realist and impressionist painters, like Courbet, Manet and Degas without losing his distinctive style which is often gloomy and intimist. He joined the "Grupo do Leão" (The Lion's Group), a usual meeting of artists, writers and intellectuals in a Lisbon downtown restaurant called "Leão de Ouro" (The Golden Lion) in order to discuss aesthetic issues and proclaim Naturalism against the academic art of the time. The group also included Rafael Bordalo Pinheiro, Antenio da Silva Porto, Marques de Oliveira and Jose Malhoa. He painted portraits of some of the greatest names of Portuguese society and culture of his time like Jose Maria de Eça de Queiroz, Teefilo Braga, Raul Brandão and had great psychological accuracy in defining the personality of those depicted. His most famous portrait was that of the poet Antero de Quental in 1889. In this haunting work Columbano seems to have anticipated Antero's suicide. Columbano was a well known Republican, so it wasn't surprising that after the Republic proclamation, in 1910, he was invited to design the flag of the new regime and was nominated director of the National Museum of Contemporary Art, currently the Chiado Museum, in Lisbon, of which he was in charge from 1914 to 1927. The best collection of his paintings is in the Chiado Museum, in Lisbon. He's also represented in some of the finest Portuguese museums, like the National Museum Soares dos Reis, in Porto.